Low light photography
Low light is something that we all must deal with as photographers. Whether you’re taking photos with a point and shoot during an evening out, shooting a wedding party or capturing a landscape at dusk it’s important to understand the basics of shooting with low light.
Photography is all about light. Low light photography is no different, and it offers new challenges and opportunities for creativity.
In the early 1900s, a few notable photographers, Alfred Stieglitz and William Fraser, began working at night. The first known female night photographer is Jessie Tarbox Beals. The first photographers known to have produced large bodies of work at night were Brassai and Bill Brandt. In 1932, Brassai published Paris de Nuit, a book of black-and-white photographs of the streets of Paris at night. During World War II, British photographer Brandt took advantage of the black-out conditions to photograph the streets of London by moonlight.
Photography at night found several new practitioners in the 1970s, beginning with the black and white photographs that Richard Misrach made of desert flora (1975–77). Joel Meyerowitz made luminous large format color studies of Cape Cod at nightfall which were published in his influential book, Cape Light (1979). .Jan Staller’s twilight color photographs (1977–84) of abandoned and derelict parts of New York City captured uncanny visions of the urban landscape lit by the glare of sodium vapor street lights.
By the 1990s, British-born photographer Michael Kenna had established himself as the most commercially successful night photographer. His black-and-white landscapes were most often set between dusk and dawn in locations that included San Francisco, Japan, France, and England. Some of his most memorable projects depict the Ford Motor Company’s Rouge River plant, the Ratcliffe-on-Soar Power Station in the East Midlands in England, and many of the Nazi concentration camps scattered across Germany, France, Belgium, Poland and Austria.
There is only you and your camera. The limitations is your photography are in yourself, for what we see is what we are.
Ernst Haas 1921 – 1986